• Paul (April 20, 2013). Retrieved October 30, 2011. Retrieved February 6, 2011.

Artist: The Black Keys Album: Brothers Released: 2010 Style: Blues Rock Format: MP3 231Kbps Size: 94 Mb Tracklist: 01 – Everlasting Light 02 – Next Girl 03 – Tighten Up 04 – Howlin’ For You 05 – She’s Long Gone 06 – Black Mud 07 – The Only One 08 – Too Afraid to Love You 09 – Ten Cent Pistol 10 – Sinister Kid 11 – The Go Getter 12 – I’m Not the One 13 – Unknown Brother 14 – Never Give You Up 15 – These Days DOWNLOAD LINKS: HITFILE: BUY [0.05 USD PER TRACK] Previously on NewAlbumReleases.net: • February 7, 2013 -- • October 25, 2012 -- • November 6, 2011.

This is Everlast Night, a track of the album Brothers( Deluxe Edition). The text is here in description. Bye and have a good vision. Brothers is the sixth studio album by American rock duo The Black Keys. Co-produced by the group, Mark Neill, and Danger Mouse, it was released on May 18, 2010 on Nonesuch Records. Brothers was the band's commercial breakthrough, as it sold over 73,000 copies in the United States in its first week and peaked at number three on the Billboard 200, their best performance on the chart to that point.

Compositions were kept very simple due to technical limitations. Neill said, 'Thanks to the Studer mixer, we seldom went beyond 10 tracks.' He occasionally had to resort to digital sources; as the studio's downstairs were long gone, Neill attached a mono digital reverberator to the Studer console. He also provided additional guitar and percussion parts during the sessions. The musicians stayed at the Shoals in and woke early each morning, eating breakfast at a local before arriving at the studio by 10 a.m. Entering the sessions, Carney had a negative mindset due to his divorce.

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He occasionally had to resort to digital sources; as the studio's downstairs were long gone, Neill attached a mono digital reverberator to the Studer console. He also provided additional guitar and percussion parts during the sessions. The musicians stayed at the Shoals in and woke early each morning, eating breakfast at a local before arriving at the studio by 10 a.m. Entering the sessions, Carney had a negative mindset due to his divorce. He said, 'At the time it was really, really difficult for me because I had just split with my wife after a nine-year relationship and the last place I wanted to be was the middle of fucking nowhere in Alabama, sitting in a dark room.'

2 on the Best Albums of 2010 and 'Everlasting Light' at No. 11 on the Best Songs of 2010. The album was also featured on 's Top 40 Albums of 2010 and Paste magazine's 50 Best Albums of 2010. Ranked it number seven on its list of 2010's Top 10 Albums. The album was also included in the book.

Due to the long hours working in the studio, Neill, Auerbach, and Carney generally only had time to kill at night when fewer retailers are open. Furthermore, Sheffield was remote and isolated; Neill said, 'What they were complaining about is that at night, after we were done, they wanted to go swarm around and do something. Splinter cell blacklist 1.02 crack download.

December 2, 2010. Retrieved March 30, 2011.

(February 13, 2011). Los Angeles Times. Retrieved March 31, 2011. • Saufley, Charles (July 20, 2010). Premier Guitar.

The single ' won the award for and was nominated for. 'Black Mud' was nominated for.

Rolling Stone (1108): 48–80. • Simpson, Dave (December 1, 2011).. Retrieved February 6, 2012. • Hiatt, Brian (January 19, 2012).

Neill's equipment included portions of a Universal Audio 610 (the same desk featured during the early days of Muscle Shoals) and a late 1950s Pultec mixer, as well as a 10:2 monitoring mixer originally designed for recording. The studio was very much a museum when they arrived—they found vintage recording gear that no longer operated, along with photos on the walls of legendary performers, such as, who had once recorded there. Auerbach immediately took down the photos, feeling they were distracting decorations.

Compositions were kept very simple due to technical limitations. Neill said, 'Thanks to the Studer mixer, we seldom went beyond 10 tracks.' He occasionally had to resort to digital sources; as the studio's downstairs were long gone, Neill attached a mono digital reverberator to the Studer console. He also provided additional guitar and percussion parts during the sessions. The musicians stayed at the Shoals in and woke early each morning, eating breakfast at a local before arriving at the studio by 10 a.m.

Entering the sessions, Carney had a negative mindset due to his divorce. He said, 'At the time it was really, really difficult for me because I had just split with my wife after a nine-year relationship and the last place I wanted to be was the middle of fucking nowhere in Alabama, sitting in a dark room.' The first song recorded at Muscle Shoals, 'Next Girl', helped shape the direction of the sessions.

Eventually, Auerbach and Carney met to discuss how important the band was to both of them. 'Then we hugged and made up and it's been all good ever since,' said Auerbach. The duo soon met at Neill's La Mesa home and got to work on several ideas, notably recording 'These Days', which would ultimately become the closing track on Brothers. Things moved carefully in La Mesa when conversations shifted to Neill's old studio in Georgia. The three began discussing heading down South to complete the bulk of the album in a historic old studio. And in, as well as Robin Hood Studios in were contenders, and the band even considered an old hall in Neill's home town of.

Brothers was also the band's commercial breakthrough, as it sold over 73,000 copies in the United States in its first week and peaked at number three on the, their best performance on the chart to that point. By the time follow-up was about to be released in 2011, Brothers had sold 814,000 copies in the U.S. Track listing [ ] All tracks written by and, except where noted.

People are really open to making new packaging.' On Australian copies of the album, the disc is white with black text; on the European copies the disc is silver with black text. Included in the album sleeve is a poster with the lyrics on the back. The font used,, is used on the iconic Muscle Shoals Sound Studio (where the album was recorded) '3614 Jackson Highway' board and has been used by other bands, including on, by, the first three of albums, 's and the cover of. Reception [ ] Professional ratings Aggregate scores Source Rating 82/100 Review scores Source Rating B+ B+ 8/10 7.7/10 Brothers garnered critical acclaim. According to review aggregator website, the album has an average critic review score of 82/100. Magazine placed the album at No.